Friday, March 23, 2012

Proper term of Anti-Hero, as opposed to a Villain that wins.

The other night, Deviantart.com ran a poll asking people how they preferred the hero of the story to win; though brains, brawn, both, alone, or with a team. Now, as much as I know a good story hinges on the fate of a main hero, I don't actually enjoy when he/she wins. That's right: I like it when the story is more down to Earth and the bad guy wins. Upon posting this, a commenter from DA took it as fighting words and wrote me a 3 paragraph reply. See it below:

  • ~MarikBentusi 16 hours ago

    1. down to earth doesn't mean downcast, just like realism doesn't equal pessimism (pessimists like to differ tho). Earn Your Happy Ending through a Heroic Sacrifice is pretty common among certain genres. I'm rarely seeing variations on "slay the dragon, marry the princess" anymore, leave alone examples that are well done.

    2. if bad guys turn out to be heroes in their own right, they're anti-heroes from an antagonistic perspective (which can be flipped without changing characters: You can write a book from a villain's perspective and the hero will be the antagonist simply because they oppose the story's main character).


    So from what I can see you've just been reading a lot of books with a repeating pattern that starts to bore you, rather than really disliking it. Or something.

-end comment-

Now, you may not have read that (and don't feel bad because when I saw it I didn't either, I had to come back to it) But receiving this actually SHOCKED me. Are general readers that contrived and simple? It scared me, here I am, writing a story that breaks some serious and long time rules of writing a hero adventure, and someone comes along to show me that my work may not even matter because most readers may just be hive-minded. And he's not the only one to say this to me.

So, I'm going to break what he's saying down and shine some light on some incorrect statements.

  •  down to earth doesn't mean downcast, just like realism doesn't equal pessimism (pessimists like to differ tho). Earn Your Happy Ending through a Heroic Sacrifice is pretty common among certain genres. I'm rarely seeing variations on "slay the dragon, marry the princess" anymore, leave alone examples that are well done.
Just because a concepts such as Heroic Sacrifice and Earn your happy Ending are common, it doesn't exempt them from being the prunes of concepts. They are common in fantasy and adventure and even romance, they span into every aspect of story telling as it is. But because of this, should all writing sticking to it? No! Good books aren't made by people who are afraid to stray from an old concept. Granted, they are GOOD concepts, they aren't required for a good story.

Also, I'm not sure what this kid reads, but they could seriously use a library.

  •  if bad guys turn out to be heroes in their own right, they're anti-heroes from an antagonistic perspective (which can be flipped without changing characters: You can write a book from a villain's perspective and the hero will be the antagonist simply because they oppose the story's main character).
Whoa whoa whoa whoa-- NO. Anti-heroes are people given a task for the greater good they they don't want to do, but end up doing it through force or accident or something else. A villain who wins is not in that category at all. A Villain that wins is just an antagonist that wins. They're two separate concepts entirely.  And you don't have to follow the Antagonist through the whole story for him to be the main hero, there are books from multiple points of view but this person (and many) haven't read enough to know of them. A lot of Diana Wynne Jones books are like that.

Also, there are stories consisting of villains who are heroes throughout the book, but end up doing something damnable but instead of running away in shame they own it. Take the ending to the movie the Mist; based off of a Stephen King novel, but the novel ended on a different note so we're going to talk about the movie. The movie started with a man who was a defined plot mover, the main character, who ended up a leader/team leading hero figure. But that ending took all that and smashed it.

What he said, and many others agreed with him on, is that if a Villain succeeds, that just makes him a reluctant hero, which is grossly incorrect. Don't try to box yourself into such a black and white mode of story telling and reading, that's how good books are ruined.

  • So from what I can see you've just been reading a lot of books with a repeating pattern that starts to bore you, rather than really disliking it. Or something.
"Or something" INDEED son. Indeed. I do read a lot of repeating pattern books, but the hero always wins. I have quite a few where the hero wins only to find out it was the antagonists wish for it to happen. I also have books where your protagonist does a 180 and becomes the antagonist. Books aren't all the same, you need to dig through the dirt to find gems and study the hell out of them until you can see the arc in story and points where you can say "This is what defines this book, this is the turning point, these are where the character developments are, ect...,"

So please, before you take someone's personal preference and try to tell them that they're wrong, think about how stupid you look, know that you don't know this person and always assume that they are smarter than you because, in most cases, they are.

Thanks for entertaining me random child, you've given me a blog post for the month.

Monday, March 19, 2012

I dream of an Apocalypse

Gabel Zeta was a girl born into the Wastes of America. She grew up in destitution, fending for herself and her mother; slaying, gardening, and learning the ways of her freedom. That was until a group known as the Civilists moved in and scooped her up, placing her into what she sees as the horror of a mundane life in a guarded city called New Haven. Shoved into a dead end job, with the choice to work for the society or die, she felt like the only one in the society of repositioned people who wanted her freedom back in the wastes.

As for Maxim Povlovo, a man in his forty-fourth year who had lived long before the Apocalypse and during it, has also been caught up in the travesty of the greedy human-hording Civilists and also wishes for his freedom. Together, after meeting Gable gazing towards the wastes, they plan a way to break free: To cause another Apocalypse of humanity and get back out into the wasteland, no matter the cost.

Saturday, February 4, 2012

Tumblr Ask: Answering things on my Tumblr account.

  • mewmewmint asked you: your favorite game and why 
Easily Bioshock. The first one. Besides the stunning beauty of the art and skill put into the atmosphere, characters, voice work, and system, the plot is down write better than any book or movie I've seen in a long long time. It's a complete story, no holes in it, with a twist so beautifully sickening that I couldn't play it for a moment. I actually had to pause, register, and yell "Oh god wow" at the top of my lungs, scaring the friends I was on Tinychat with. It's beautiful, worth every second of playing for the twist, and playing the game as both good and evil is like a whole new experience. The alternate endings are amazing on either end, from sweet and kind to malicious and frightening. The only game I can rate 10/10 at the moment.

  • After we get married, where will we go for our honeymoon. 
Oh, naturally to pluto. With a view of the universe before us and the nice cool temperatures that ensure no sunburn can hit us. Not to mention the dark and brooding landscape, much like our relationship. I believe it's a planet, and it shall be ours.

  • There will be an ACTUAL movie based on the Dead Island trailer. HOW DO YOU FEEL?! 
The trailer? that is the theatrical beauty of that game. If it became a full length movie however, it would be incredibly boring and drawn out. If the movie was based off the game then I would just pirate it or something. the game started boring and went on like that.

Tornadoes. they're so... Weird. Think about it, a swirl of cloud and moisture and wind that demolishes whole towns in a neat path. You can see the after-path of them in fields and cities, they can sit on the water or over the land, they LOOK cool and sleek and just devilish. Not to mention we get quite a few of them here and I'm always willing to run out and get photos whenever I can.

  • How do you see yourself in 5 or 10 years? Or one year from now? What do you think will happen, compared to what do you want to happen?
     
In 1 year I want to see myself on a new computer with a copy of my novel in my hand.
In 5 years I'd like to see myself turning out my finished portfolio with at least two finished novels
In 10 years I'd like to see myself at the desk in a gaming company turning out concept art
What do I think will actually end up happening?
In 1 year I'll still be at my jobs, doodling with a copy of my novel getting dusty on my shelf.
In 5 years I'll probably have a hire position at those same jobs
In 10 years I'll probably have a new set of dumb jobs.
I tend not to think hard on what I want, because what I want is never what I get. I've sort of conformed to that idea. I'm okay with getting nowhere at this point.
*DEPRESSING.*

Monday, January 2, 2012

Post Holiday Report

The holidays, although insane and busy, were not as bad as I thought they would be. Whilst working some 14 hour shifts between my two jobs, I wrote in a notebook every chance I got. Needless to say it's unreadable due to my handwriting but the ideas scrawled down did lead to a plot. A plot that, when recited to my sister, turned out to be entertaining enough to get her to want to read it. She isn't much of a book person so I feel ever so slightly victorious.

With this under my belt I've charged into draft number three, dialing in on making a deadline in May. What is this novel about you may ask? Or not. Either way, it's about post-zombie outbreak situations involving a Doctor, a French pedophile, a company of zombie exterminators, and an issue with cleanliness.

I'll try posting once a week every week 2012.

Tuesday, December 13, 2011

A Christmas with Me, Myself, and I.

 Before you call me a Grinch, I love the idea of Christmas. A selfless time that people ruin or make merrier with hilarious arguments while they sit around either a hypoallergenic plastree or a tree that wasn't fortunate enough for a paper mill. I love the lights, the things people set up, the over the top cooking, deco, and smells. The music can be catchy on some occasions. I'm not going to say "People are bad for only giving once a year" because that argument is contrived. People give all year round, Christmas is the time to do it on a schedule with everyone else, it's a social event that I find interesting. However Christmas started in August for most. My restaurant job had two trees up by then, Gamestop was having deals but thankfully there wasn't, and still isn't, any Christmas things around the store.
I hate the idea of buying for people. I feel this is a trading thing, and so the sincerity leaves the building entirely. I hate it when I don't know what someone wants, their house is cluttered, and all I can think of is a gift card. The Insincere part of my brain laughs evilly as I pick them up. I hate the idea of dropping a load of money on a gift that lasts a moment but is gone. But, from what I've learned first hand, experiences last longer than physical gifts. I believe there was a study released recently backing me up. So what am I going to do? Get my sister a plushimal of some sort, she's 2, she slips by the experience means more part, I'm going to get the folks a dinner out, get my brother and his wife a boat ride of some sort, get my older younger sister a gift card because she's seventeen and will not take experiences well over money, and I will sit at home, pleased with my plunders as I draw, drink, and fill the house with candles and music.

My perfect Christmas is one alone, with myself and my thoughts, a moment of quiet clarity away from the noise and requirements of family, friends, co-workers and bosses. A Christmas where I can stretch out and take a breath for a second because everything leading up to that moment will be nothing but a hectic blur of living to work, and working to live.

Thursday, November 17, 2011

Lake Pontchartrain

A short story written to free me up of writers' block for Nanowrimo based off of the song by Ludo.

You can listen to Lake Pontchartrain here

My name is Elijah. I’m going to tell you a story about how I lost everything in a single night in the dead of Summer in Louisiana. At the time we were leaving home, it was the morning and we were out of college, intent on enjoying some good Louisiana air. Anything but Missouri, the place was a ghost time that time of the year. The packing itself filled us with such a childish abandon.
     
    The idea of our first trip out of the state to somewhere with some life other than cows and peacock farms was enough to make any one giddy. It was Darius, Nolan, and I. We burned rubber out of that suburbian hell towards what we thought would be freedom. We had the money to survive a while, we turned off our phones to get away from the parents prying questions of where we were, what we were doing, if we were safe. We were in college, but it seemed like the folks never quite let us out of their sight, which was fine when they cooked free dinners.
  
    Anyway, the air seemed to get only muggier the further into Louisiana we got. The trip past the state line was filled with horrible jokes about the girls at our school and countless other insensitive subjects that made me almost crash laughing. The sun sank low but we weren’t nearly far enough to stop for the night, instead we stopped at some dive for a bite to eat. I’m not sure what it was called now that I think back on it. Perhaps it was because I don’t want to remember any of it at all.
   
    We went in and the waitress pushed the crawfish on us as if the smelly little buggers were going extinct. Darius and Nolan took the bait like a pair of children. Who could blame them, the chick was hot and with that much cleavage who could deny her? Minus the man with the shellfish allergy, which would be me. I stuck to the grilled chicken sandwich. It seemed like my buddies got the better end of the deal. They were practically choking on the stuff at the rate they were eating the little red half-lobsters.
   
    We were out of there with a surprisingly low bill, and naturally I was a little skeptical of what effects the food would have on us later. At the time I thought it would be food poisoning the likes of which no man had ever known. I was so wrong. We continued on into the night, the southern bell music was interrupted with a commercial occasionally, about some lake in the back country. “Come down to Lake Pontchartrain, rest your soul and feed your brain, that’s where you will get to see,” It sang in a voice that was eery and less inviting then intended.
   
    But the thing that started to make the night terrifying was the all-soaking rain and the way it killed our visibility. We couldn’t see the map in my dinky car, the light inside was long past the repair date and so we had to pull over in the storm that seemed to brew from nowhere. We sat in the car, huddled around the map outside of a run down motel. The light from the sign being the only light, but just enough for us to see that we were well off course.
   
     Then someone bashed themself against my side of the car. We all leaned away from the driver side window with horror. A man was raving, shouting about something familiar. His eyes were wild and his teeth could have used some work, but what scared us was what he was yelling at us.
   
    “Come down to Lake Pontchatrain,” He yelled at us in that familiar rhythm from that stupid cheap commercial. “Rest your soul and feed your brain, free for you and all your friends, crawfish to the bitter end,” It was different, he had changed it up, we were scrambling to get a weapon of some sort out of fear he would murder us. I got into my seat and slammed the gas pedal to the floor as he yelled the last line; “Wade to where the shallows break, that’s where you will get to see everything the water can be!” But I was gone.
   
    There was no way I was sticking around, putting my Camrys’ engine to the test in an attempt to put some miles between that crazed man and us. My friends were completely silent. Perhaps the hobo scared them or they weren’t feeling that well, I thought. I tried to hit the interstate but the ramp was flooded, forcing me to take a small road that lead straight into the woods. I lost my way soon, the rain coming through the trees washed away all signs of a route.
   
    I slammed my breaks when a sign reared up from the darkness, my headlights making it glow with an unnatural light. It read; “Lake Pontchartrain”. At the time it didn’t hit me something was definitely up. I nearly jumped out of my skin when I heard Darius saying someone was in the lake that was a few yards in front of us. I looked but I couldn’t see in the rain and lightning, he even pointed and yelled to the point where he was reaching hysteria. Before I could stop him he was out of the car and gone like a gazelle, straight towards the rough lake waters.
   
    I turned around to tell Nolan to stay put but I discovered he was gone too. I got out, staying behind my car door an I yelled for them to come back so we could get out of there. But then I heard it, I swear I heard what they must have heard even if I couldn’t see what they had seen. There were voices, coming from the lake itself. They weren’t panicked mid-drowning voices of people in distress.
   
    They were almost angelic if it weren't for the snake-like hissing and synchronized clashing of the lake. I felt something on my foot, looking down, through the rain, I saw thousands of crawfish making for the lake, and to my horror they were screaming. The look you’re giving me right now is probably one of sarcastic disbelief. No, they were screaming and the lake was moving in the most unnatural way while I stood there in the rain. I remember wiping off my glasses just in time to see the most demonic sight of my life.
   
    My friends were wading in deeper and I tried to call them back but I was too scared to go out and get them myself. The water seemed to climb at an ungodly rate, even with the way the rain was falling, the water was rising oddly, right out of the lake itself.  I watched as the lake opened up in front of Darius and Nolan, like a beasts’ maw opening for a meal, and with a horrible roar it swallowed them up. That was the last I saw of them, I swear to you. It was the most unforgettable view I had ever seen, one I wish I could wake up from but I know I can't.
   
    When I first told my story, I sat in the interrogation room. The detectives stared at me like I was insane. “That’s how I told it to them, and how I told it to you and every other reporter, doctor, and curious intern who’s come and asked me.” I said through the pane of scratched up yellowed glass in the Louisiana State Mental Hospital. On the other side sat a reporter, his face was blank, I couldn’t tell if he believed me or not.
   
    Seeing as I was here under an insane plea my attorney made on my behalf, I couldn't blame the guy. I was formally charged with the murder of my two friends, even if nothing was found.
   
    Then I saw the hint of skepticism in the reporters’ face. That look of question as to how he would be able to sell a story like this. “Why would I lie, there were no bodies,” I said, my voice cracking a bit from the retelling of the story. “You could always just say I was a boy who lost his friends in the rain.” I told him, leaning forward a bit. “Any more questions just go and ask Lake Pontchartrain.”

"It's stopped being about Nuclear Winter, and started being about a house with a thousand detailed rooms."

As I've stated before, I restarted my novel on the 9th. I brought myself to 23,000 plus words in the past few days and I've slowed to a crawl.

Welcome to the Writers' Wasteland.

The writers' Wasteland is an area of imagination that is barren, dry, and in need of a good rain and some tender loving care. Week three often soaks up all of that creativity, leaving you with the "what next?" Factor. When you get over that factor, you actually get some momentum to finish but let's be honest; it seems like the Wasteland is never ending during this week.

So, are you going for quantity over quality? If so, welcome to the Rooms club. In the quote that's the title I mention something that's happened during week two. I got the block, a huge unsightly Thwomp from a Mario castle, and to get over it I just wrote about rooms. In excruciating detail. My book is about a girls journey to find the truth behind a nuclear winter after she comes down from a space station to Earth. And suddenly, it's become this monster of a house.

There's blue rooms, green rooms, Victorian rooms and peasant rooms. There's a morgue room, and a kitchen, a lab, library, green house, and several lavish bathrooms. It's a brilliant practice, to write about something completely unrelated to your story but something that, if your characters entered a house, made a nice catalog of rooms to pick from. And each room is 500-800 words easily.

Again, if you want quantity over quality, try writing about your dream room, a room you once had, or a room that can only exist in dreams.